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Read Those Bones Are Not My Child (2000)

Those Bones Are Not My Child (2000)

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Rating
3.56 of 5 Votes: 2
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ISBN
0679774084 (ISBN13: 9780679774082)
Language
English
Publisher
vintage

Those Bones Are Not My Child (2000) - Plot & Excerpts

I guess the rating would be closer to a 3 1/2, fwiw.There's a lot that can go wrong with a book like this. Published posthumously, a book is in danger of either editing away the author's voice, or not editing enough; based on first hand research, a book is in danger of overloading on exposition in order to justify the research; based on a historical event from recent history, a book may have trouble condensing the wider drama onto an individual level, even operating at epic scale.Those Bones are Not My Child suffers from each of these flaws at points, and one wonders how a final draft edited by Bambara would have looked. As it stands, the book is flanked by a brilliant first and last 100 pages that are some of the best writing about family affairs that I've read. Here, the family dynamic is captured in a jittery balance between all the family members, and it's an accomplishment. The rest of the novel (still another 450+ pages) is brilliant when it uses this dynamic to capture the family and the community in other places. It's a nice, subtle reminder that our main character Zala, isn't alone in her quest to find her missing son and to understand the pattern of murders of young Black children in Atlanta in the early 80s.A lot of the text is caught up in accounts of the more broad history of the case, and there are a lot of long scenes that seem to serve no purpose but to fill in the blanks. On one hand, these are important tools to help understand the enormity and complexity of this piece of history, especially as we understand that the main characters in this novel don't have any reason to trust the official narrative of the investigation. On the other, we're left with in a middle section that sometimes feels like a chore to get through, especially as the characterization does seem to take a back-seat in the densest of these passages. But there are standout moments throughout, especially when the book is operating in present time and and getting close to its very memorable characters, or taking a few steps back and hinting at some of the complexities in addition to race and class that both hinder and guide the investigation.This is a valuable book, and I'm glad that I read it. But I did have some trouble getting through parts of the book.

I have read two books by Toni Cade Bambara, and she was a brilliant writer. So brilliant, that i think she is too smart for me! I love her language but sometimes it was hard to follow for me - more so in The Salt Eaters. She was definitely not fond of the linear and her writings soak up layers and shifting times and characters. In other words, you may need to keep on yr toes. This book is a fictionalized story of true events that happened in and around Atlanta during the late 70's and early 80's in Atlanta's hay-day of having a Black Mayor for the Blackest city. It centers around one family and how they deal with the kidnapping of their son and the serial kidnappings and murders of many more Black children from their neighborhood and all over Atlanta. It really blends the personal and political well- this did happen, there were serial killings of Black children, an epidemic, that was largely ignored and downplayed by the police and the newly elected Black establishment. An extremely important piece of history written poignantly raw and exposed.

What do You think about Those Bones Are Not My Child (2000)?

I have been looking at this book on my shelf for some years. I love the work of Toni Cade Bambara, especially her previous novel, The Salt Eaters. Those Bones is not an easy read, but it is an extraordinary one. It is the story of one woman, one family, one city and indeed all of the USA. The story is about a spate of murders that occurred in Atlanta n the early 1980s. More than 40 black children were abducted, sexually abused, beaten and murdered. But the establishment deemed them runaways and did nothing.One morning the 13-year-old son of Mazala and Spence goes missing. They do everything to try to find him. The women in the community delve into what's happened, parents spend months doing daily searches, the men patrol the areas where the children have been found (those that were) dead.This book gives a portrait of a city unable to answer questions from its citizens. Toni Cade Bambara illuminates how oppression works and one can see these events being repeated in many cities around the world.A truly great read.
—Susan

There is no doubt that this is a hard book to read. It takes place in Atlanta during the time of the Atlanta Child Murders. I guess I like this book more than most people, because I feel that Bambara did a good job of capturing the fear and tumult that Atlanta experienced. I still have my "Save the Children" button, that many people took to wearing as some sign of solidarity during those traumatic times. It didn't matter, though, we were all looking at each other with wary eyes. Bambara also depicted life on ghetto streets, where children were no longer allowed to play or go to the store alone, with gripping accuracy. The abduction of their child is every parent's greatest fear, and to have so many young bodies found thrown off bridges or covered by leaves in the woods tore Atlanta in two. I truly believe this is book is worth reading.
—Maureen

I wrote a long review about this book and magically it disappeared. I'm taking that as a sign to be brief about my feelings regarding this book and move on to the next novel that awaits me. This isn't a good read. It is way too long and rather than focusing on the plot it reads like research on the Atlanta Child Murders instead of the novel that it presents itself to be. The characters seem to be thrown in as needed and the main character-the missing son- is rarely even focused on. The book completely lacks emotion. I am not certain that the mother even missed her son, Sundiata. It felt like the real joy was being apart of the movement to find the murderer(s) of the children. I understand that writers use the creative non fiction genre to use fictional characters to develop factual plots, but it is way too obvious in this "novel." However, from research I know that Bambara passed away before the publication of this novel. Her friend and literary heavy weight Toni Morrison is responsible for the end result. It is unfortunate that the reader will never know what Bambara would have done with her 1200 page manuscript had she lived to take part in the editing and publication.Finally, there are passages in this book that read like beautiful poetry and are completely mesmerizing. However, those passages are too few and hardly enough to sustain the work. You must have a deep interest in the Atlanta Child murders and a lot of patience to read this book.
—Latiffany

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